Split Horn Ermine Covered War Bonnet

Not every war bonnet was made of eagle feathers. There were a host of different styles made from many different things such as buffalo scalps, where the top of the *buffalos head, including the horns, was adorned with important spirit items of the maker and formed into a head covering. Leather caps covered with feathers and perhaps a set of horns were used as well, and the ermine covered war bonnet with the set of split buffalo horns pictured above is often seen at various tribal functions.

It is thought that the plains tribes were the first to wear headdresses but all Indian groups had their own style of head covering. This image is of a Crow warrior at a parade during the famous Crow Fair held every August at Crow Agency in Montana. But many other tribes wore the same style, but vastly individualistic types of headdresses or bonnets.

This view is a strikingly dramatic presentation of a tribes culture and history and an honor to be able to see and photograph this amazing piece of living history. If you’re ever able to visit a powwow do so, it’s an incredible glimpse of a people’s culture as they live it today.

* http://www.bigshotsnow.com/regalia-buffalo-headdress/ for an example of an incredible buffalo headdress check out this link. This is one of the most spectacular examples you will ever see.

Diamond Creek Crown Dancers

On April 26th Through the 28th the Gathering of Nations, the largest powwow in the United States was held in Albuquerque, New Mexico. There were over 3500 dancers (this is not a misprint) in the Grand Entry seen by over 80,000 attendees. 785 tribes were represented from the U.S. and Canada. It was a spectacular event.

This image is of a spirit dancer from the White River Apache Diamond Creek Crown Dancers group that participated and performed out on the open avenue in front of Tingley Arena. They are members of the White Mountain Apache tribe and have performed all over the United States.

Their performance was one of the hits if not the high point of the various dance groups that performed over the length of the event. An entire article, actually an entire book, could be written about the meaning of the dances they perform, the regalia they wear, the songs they sing, and the symbols they paint on their bodies, but that will have to be left for another time. For now this image represents their amazing culture and traditions and they deserve a debt of gratitude for sharing it with us.

Brings Back The Past

Sometimes when you are attending an event like an Indian powwow you observe a participant that is so perfectly matched to the event, it is like time travel. Such was the case at the Shoshone/Bannock powwow in Ft. Hall, Idaho. This man so epitomized the spirit of the warriors of old that he seemed to be a conduit between the past and the present. One could easily believe that he was riding out of his camp that morning over a hundred and fifty years ago and rode right into this gathering today to the amazement of both him and ourselves.

 He rode in on the tail end of the parade as one of the last members of the procession and as he appeared time seemed to stand still. It was as if he had just stepped through a portal from the past and found himself in the strangest of circumstances. He rode at the crowd brandishing his lance. He yelled in his native language, he chanted, he swung his horse around in circles lest anyone try to sneak up behind him. And people believing that they were seeing someone unbound from modern conventions scrambled out of his way. His actions appeared to be those of a mid-1860’s warrior rather than someone participating in a parade at a modern-day powwow.

It was a spectacular presentation of a person completely in touch with his history, his culture and the spirit of the event. It was as if he were chosen to be the one that Brings Back The Past.

Fights Not The Sun

Up on the Wind River Reservation where the Shoshone Arapaho hold their summer Powwow at the end of June the sun burns bright in the afternoon sky. The dancing has been going on for hours and it is nearing the time where dinner is calling. The bleachers around the arbor are full with dancers catching their breath and enjoying a much desired rest and break before the evening dancing and festivities begin again.

The sun being down near the horizon has a few moments to shine in on the people at the far end of the eastern seats dazzling those seated there with its magnificent power. It is still hot and direct and blazing in that last bit of glory before ending this day.  It seems to want to challenge those resting to one last battle before sliding down behind the mountains, calling it an end to this days sunshine.

Those at rest know that this last battle will be short-lived, so it is better to yield this last challenge to the sun and simply accept the loving warmth it provides as soon twilight will be here closing down the day with its soothing blues and purples and final darkness.

This elder has faced this challenge before and knows there is no shame in submitting. This small defeat is welcome. Tomorrow is another day.

Looking To The Past Living In The Present

Dancing at the powwows is one of the most important parts of the event. It is a time for addressing the spiritual needs of the dancers, displaying the regalia that is most significant to them and for pure enjoyment in participating in their culture.

Painting one’s face had great cultural significance and has deep meaning depending on which aspect of the culture the wearer wants to honor or display. It ranged from the simplest single stripe to several different colors each representing a different meaning and is one of the most important ways of stating their individuality.

This image of Raul Figueroa was made at the New Beginnings powwow held in Denver, Colorado in early May 2016. It is part of an ongoing project titled “Modern Portraits of North American Indians”, and is a celebration of the continuance of the Native American culture as it is being presented at this time in our society.