3 Ways To Get A Bull To Do What You Want

This post has been moved to OpenChutes.com. All future postings of Powwows, Indian Relay Races, Rodeos and Rendezvous will be posted there from now on exclusively. So if you’re looking for new images and posts for all those events attended this year, plus all the old posts posted on BigShotsNow.com check out OpenChutes.com. See you there!

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There are 3 ways to get a bull to do what you want.

1 Ask him nicely.

2: Try to coax him out of the ring with your horses by setting a good example.

3: Get everybody in town that has a horse and a rope to come down quick to the arena so you can rope him and drag him out. Here’s how that all works out.

Number 1 doesn’t work, complete waste of time.

Number 2 sometimes works if the bull really wants to go back to the corral and forgot the way out.

Number 3 is your best bet. Get everybody you know, dozens if you can, get them in there and throw a rope on him. This doesn’t work as far as dragging him off but it gives the guys roping practice and the bull something to do for a while. He’ll break the ropes, drag the cowboys around in the dirt, buck and act all chesty, then after he feels better he’ll docilely walk back to the chute and go lay down for a while. That’s all there is to it.

That’s what was going on here at the bull riding event at the North American Indian Days, Blackfeet reservation rodeo. The bull riding comes on last at the rodeo because they need you glued in your seats until the last minute so you don’t miss a thing. The sun was already starting to set and the last light of the day was lighting up this red bull, turning him all gold and sleek, and he was just feeling the moment. There wasn’t any bad feelings or animosity he just wasn’t ready to end the day. After 10 or 15 minutes he’d had his moment and was ready to head for the back lot and a night off.

Tomorrow we’ll have the rodeo pictures up and there are some good ones. Stay tuned or if you have to leave come back soon so you don’t miss anything.

Blackfeet North American Indian Days – Women’s Dancing

This post has been moved to OpenChutes.com. All future postings of Powwows, Indian Relay Races, Rodeos and Rendezvous will be posted there from now on exclusively. So if you’re looking for new images and posts for all those events attended this year, plus all the old posts posted on BigShotsNow.com check out OpenChutes.com. See you there!

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The North American Indian Days is an annual event held on the Blackfeet Indian reservation usually in July and is billed as one of the biggest tribal get-togethers in North America. They say North American instead of the Unites States because some of the participants are from tribes that live in Canada. It lasts for about a week, four days according to the advertisements, but everybody’s there early and leaves late so plan on at least five or six days if you want the full experience.

Yesterday we brought you images from the Men’s Dancing contests. Today we showcase the Women’s Dancing categories. Women’s dances are different from the men as they tend to dance in a more sedate fashion showing their dancing skills in a gentler more refined way, unlike the leaping, fierce posturing of the men. The women are gentler, not less strong, just gentler. The women’s dances are performed to show their grace and beauty, and they are beautiful as you shall see as the you view the following images.

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At the beginning of each of the dancing contests the individuals who will be participating enter the arena as a group. First all the men’s categories, then all the women’s categories until all the participants are in the arena together.

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Each of the members of the different categories enter together.

2015-07-20NAIDWomenDancers2517These are members of the Jingle dancers category

2015-07-20NAIDWomenDancers2247Named for the small bells of rolled metal attached to their skirts that strike one another during the dance causing a jingle-like sound.

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The regalia worn varies from beautifully created traditional leather

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To the equally beautiful bell covered dress of this Jingle dancer

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Another style is the fringe on a more traditional dress

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This young woman wars a traditional dress with a fancy shawl as she dances

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Shawls and fancy capes are used frequently, the embroidery and design absolutely gorgeous

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Some dancers swirl and turn as they dance causing the fringe on their shawls to form beautiful patterns

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Others dance in a quieter manner as this young woman shows off her incredible dress and precise dance steps.

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The demanding dance steps require focus and concentration while still presenting an image of beauty and charm.

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Dancing sedately does not mean a lack of action as this woman shows in presentation

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Form and attention to the meaning of the dance adds to the grace of the dancers

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Sometimes the dancers get so involved in their performances it seems as if they are the only ones in the arena

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Color combinations, the dancers poise, and the dance meld into perfect harmony

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Another traditional style, notice the pair of baby’s shoes hanging from her waist.

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This dress is covered with elk ivories which are the teeth of an elk that can be polished just like ivory and are highly sought after. The knife worn at her waist has a handle made from the antler of an elk. Every part of the animal was used, nothing was wasted.

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As the days activities wore on the women were still dancing. They seemed tireless.

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Determination written all over her face this dancer gives it her all.

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All the women participate in the dancing each with their own special grace

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During the final moments of the days dancing, everyone is in the arena dancing for the sheer joy of it.

Although the dances are segregated with men and women performing separately, first the men’s categories, then the women’s, there are several times during the competition, usually at the end where everyone, men and women alike, enter the arena and dance around the circle together. You are likely to see couples making their way around the circle, older folks who have obviously been together for years, and younger couples sometimes with some quiet flirting occurring, sometimes even entire families, the kids holding hands while walking next to mom or dad. Often times mothers holding young ones too small to walk make their way around the circle. Dancing starts early in their lives.

As you observed the women dancing you could see the fierce pride they take in participating in this event. Displaying their heritage and the self-respect in being a part of this large gathering of their peers, they project an aura of sophistication and beauty not often seen elsewhere. They are a huge part of this gathering and competition and rightfully so.

Rodeo Stars

This post has been moved to OpenChutes.com. All future postings of Powwows, Indian Relay Races, Rodeos and Rendezvous will be posted there from now on exclusively. So if you’re looking for new images and posts for all those events attended this year, plus all the old posts posted on BigShotsNow.com check out OpenChutes.com. See you there!

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At the end of the rodeo performance the real stars of the show are brought out for their moment in the spotlight. These performers give their best performance every time the chute door opens. The cowboys, regardless of their skill and courage, wouldn’t get their moment in the sun if these horses didn’t give their all. And they do, show after show, whenever they’re asked to.

You can see by the fierce pride in their stance that these are not tired, depressed animals forced to be mishandled night after night, or stock brought in from the wild to be broken into submission. These are proud vibrant creatures, in their element, full of the same excitement and enthusiasm their riders are. This is as much their competition as it is for the cowboys who try and ride them.

It is a special feeling to see these stars race out into the arena . To see and get a sense of the raw power in each one really makes the rodeo come alive. These performers share top billing with the best cowboys in the business and rightfully so. They are stars and know it, they have earned this moment in the spotlight.

Note: The following is a press release from the Greeley Stampede provided for anyone interested in the Rodeo. If you’re in the area there are still a few days of rodeo left. Come on down and take one in.

NEWS RELEASE 

For Immediate Release

HALF WAY THROUGH THE GREELEY STAMPEDE 

June 30, 2015 (GREELEY, CO) The 93rd Annual Greeley Stampede has already gone beyond the half way mark and with barely time to recover between days all of the activities and events are still in full swing.

About 4,900 visitors got to see the 3rd performance on First Responders Night sponsored by Colorado Access and some folks stayed for the WPRA Barrel Racing Slack which ran after the rodeo.

One of the many events that has yet to happen is the Miss Rodeo Colorado Pageant. First MRC contest is the Horsemanship event which begins at 9:30 am in the Stampede Arena on Wednesday, July 1. On Thursday, July 2 the MRC Pageant Speech contest will be at 10:30 am at the Island Grove 4-H Building and the final event is the Fashion Show and Coronation at Union Colony Civic Center 701 10th Ave. on Friday, July 3 in Greeley. RSVP’s are required call 970-454-0191.

For the 4th performance of the rodeo on Wednesday, July 1st it’s Ag Day sponsored by Weld County Garage. Wear 4-H or FFA apparel to receive FREE park admission and admission to the north grandstands during the July 1 rodeo performance.

Only two regular rodeo performances left, buy your tickets to the rodeo, concerts, demo derby or get your carnival passes by calling 970-356-7787, visit any Northern Colorado King Soopers location, Ticketswest.com, Ticketswest by phone 866-464-2626 or at Greeleystampede.org.  The Stampede Ticket Office is open 9:00 am – 10:00 pm daily during the event.

Andy Segal

Media & Communications Manager

Greeley Stampede

970-356-7787

GreeleyStampede.org

The 2015 Greeley Stampede June 25th – July 5th!

American Bullfighting

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I’m sure most of you, if not all of you, have been to Seville or Barcelona for the bullfights. Many of you have been to Pamplona to run with the bulls, at least that’s what you tell us when we do our annual poll on “What I Did With My Summer”. But very few of you tell us I was a contestant in American Bullfighting.

The cowboy in the shot above was a contestant and right about now he wishes he were sitting in the stands of La Maestranza in Seville watching some guy in fancy red pants swirl a cape around to confuse the bull. That cape and those short sticks with steel barbs to stick in the bull to make it madder are some of the main differences between Spanish bullfighting and American bullfighting.

The first difference is our bulls are mad enough already, you don’t want them any madder if you can help it. Remember this is their payback time and they remember that these same cowboys were the ones trying to ride them just a short while ago. If they get the chance to stick it to them they’re going to make the best of it.

Secondly, we don’t use capes or have some other guy on a horse stick big old gaffing hooks into the bull to make it mad and lower its blood count so it’s easier to manage. In  American bullfighting it is the cowboy against the bull with no capes, no sticky pointy things to irritate the bull, just the cowboy with his speed, dexterity and wits against the bull with its 900 lbs. of muscle and long curved horns and owl-ly attitude.

Thirdly, and this is the best part, there’s no dead bull at the end of the fight to drag out of the arena and usually no dead cowboy either. They both get to kiss and make up and do it again when the cowboy feels better. Also our cowboys are grateful that they don’t have to wear those really tight pants and short little jackets with spangles all over them and that hat with the bulbs over their ears that are supposed to look like horns. I mean they’re really glad.

So what’s the point then, some of the more blood-thirsty among you may ask. The point is, this is a cowboy going  into this contest to try and make as much contact with the bull as possible by getting close to it, grabbing its horns, sometimes leaping over the bull as it charges him, all the time trying very hard to avoid the horns of the bull. These horns, which have had the points filed down so there is less trauma to the cowboy and to prevent the bull from having nightmares and bad feelings from having perforated the cowboy, are still deadly appendages to deal with. If you think that this lessens the bulls ability to provide pain and suffering to the cowboy think again. Imagine getting stuck by something about an inch in diameter that is being pushed very forcefully into your nether regions by a 900 lb. animal that doesn’t like you and that wants to do that sticking and pushing as many times as it can, with the cowboy of course, trying to avoid this and you get a small idea of how dangerous this whole deal is.

That’s American bullfighting. A man with his wits and courage trying to outwit a huge angry animal with its muscle and horns. The match is much more good-natured than its Spanish counter part and both contestants leave the arena with the feeling they’ve done their best. The best cowboy goes home with a beautiful silver belt buckle and hopefully some money, and the best bull gets bragging rights back in the bullpen. That’s a lot better than getting dragged out of the arena behind a horse with your ear cut off. For either contestant.