3 O’Clock

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Time passes differently in the desert. It conforms somewhat to our notion of how time should behave. It gets light in the morning and dark at night, and high noon is roughly what shows on the face of your Rolex when both hands point straight up, but it doesn’t feel the same. And as you know if you’ve ever spent time alone somewhere like this desert at Coral Pink Sands Dunes State Park, time is as much a feeling as it is the passage of seconds and minutes.

You can come here with your time if you want. The dunes don’t care. Have your schedules on your smart phone set to tell you how long you can stay, how long before you have  to go if you want to make it to Zion before the afternoon rush for rooms begins. But be careful when you step out onto the sands here. Watch out for the fact that the hands on your watch may move but the passage of time here on the dunes doesn’t always agree. Finding a place to sit where you can watch the winds sculpt the dunes into new shapes, erasing footprints, sharpening the edges of the dune tops until they look as is they could shear the wind in half, or slice little eddies off the breezes to form new ripples down the face of the sand. That’s when you notice that the 15 minutes you thought you were spending has actually been an hour and a half. The desert is showing you how time works here. It’s not your watch that’s at fault. It’ll work just fine when you get back to people places and that time takes over again.

Forget also about making it the 45 miles from here to Zion in time. You’ve been caught by desert time. Sitting there watching the sand change color from a yellowish-tan to a rich, deep coral as the sun moves across the shifting dunes, listening to the low moan of the winds as they scrub across the dune tops, feeling as much as hearing the low humming that comes from the movement of untold billions of sand crystals rubbing together, as the wind slowly but surely pushes the dunes along, moving these massive collections of sand some fifty feet a year. Sitting there you’ve been moved with them, not very far, a short journey actually, but as a new part of the desert you’ve been added to the structure and affected by it, unaware that your presence has been noted and taken into account. You’re on desert time now.

It’s time to put your smart phone away, pull your sleeves down over that watch and tune into desert time. Make other arrangements in your mind as schedules don’t work well here in the desert. But it’ll work just fine if you let it happen and don’t fight it. It will still get light in the morning and dark again the evening, noon will come and go just like always, it’ll just feel differently is all. Once you understand how that works you’ll find its a pretty good system. If you need to know things like hours and so on, the desert will tell you. As you can see by the image above it’s three o’clock. Now that you know that, does it make a difference?

Colors, Patterns and Textures in the Southwest

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One of the incredible perks in having a job like mine is you get to see things like this on a regular basis. Sure there are many times where you don’t have the extraordinary light or the stupendous subject matter but then a lot of the time you do. And all you have to do is look at it and take it’s picture. How cool is that? Pretty damn cool actually. This is a shot of Navajo mountain from the Bryce area. What you don’t see in that picture is that it is a little after 6 in the morning early in the spring and it is very cold, like wearing two down jackets cold. At the time I took this it seemed much less glamorous than it does now looking at the end result. Now if that sounds like whining I don’t mean it to, there are just some facts of life about this job that aren’t apparent by looking at the photograph. Frozen fingers and numb toes aside this is a great job and I don’t ever want to stop doing it. I may wear three down coats next time however. And some gloves.

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Colors, Patterns and Textures is the name for this post and it has been the hardest to put together because of the difficulty in choosing images for it. This presentation could easily be several thousand pictures, if not more, long. The reason it isn’t is because I know that as much as you like looking at gorgeous images I’d lose you at about six hundred so I’ve decided to abbreviate this post and repeat it with different images every so often. This is a wall at Aztec Ruins National Monument built by the inhabitants when this place was occupied. Now whoever designed and built this wall knew what beauty was about. There is no architectural reason to use a row of the most beautiful blue colored rocks here but after seeing it could you have used anything else?

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The color of the sand, the texture, the play of shadows on the ripples of this small section of the dunes in Monument Valley is every bit as intriguing as the buttes, towers and monolithic rock formations that make up this world Heritage place.

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Simple patterns can be visually satisfying. This tree against an unadorned wall in Santa Fe has a zen-like attraction. The intense colors, while arresting in their contrast, can have a soothing effect and show that a small piece of the total view can be more rewarding than showing the whole picture (so to speak).

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While similar in composition to the image above, this scene also taken in Santa Fe, shows a more muted color palette. Same type of view but different light and time of day. You could stand in front of a composition like this for days and never take the same image twice.

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While walking through the dunes in Monument Valley after watching the sunrise you see all the details and patterns of this spectacular country begin to emerge. A desert newspaper recording the comings and goings of the creatures of the night. The tracks of a small mammal are crisscrossed with trails of insects and the morning light turns the color of the sand to a deep rich red. I take a lot of pictures but I think I take more of them here than any other place.

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You can begin to understand why artists like Georgia O’Keefe painted the subjects she did when you come across a pattern like this one momentarily displayed in the sand. I say momentarily because the next breeze to blow through here will erase this work of art in a heartbeat. That is unless you take a picture of it.

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Other patterns are created by man and will last for centuries. These petroglyphs are on a cliffside in Capitol Reef National Park.

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Texture plays a large part in my selection of things to shoot. Here the frozen sand has been turned to rock and although it looks like momentary waves in a sand dune it is here to stay. This is Antelope Canyon in Arizona and this dune is nearly a hundred feet under ground. The light comes from an opening in it’s ceiling that runs the length of the canyon.

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Waves of stone. How were they frozen in time? It certainly looks like that was what happened but this scene was slowly created over eons by the water that occasionally pours through this canyon. It is mind numbing to think of how long this must have taken. The result however is etched forever in my memory.