Headin’ Out

Gold miner Heading Out – Bannack Montana

Bannack Montana was, and to a very limited amount still is, a mining town. Founded in 1862 due to a gold strike in Grasshopper creek it wasn’t long before hundreds of folks showed up with one simple thought in mind. To get as rich as possible in the shortest amount of time.

Grasshopper creek runs through the middle of town and joins the Beaverhead about 11 mile downstream which then joins the Big Hole river, and finally the Jefferson river which drains most of southwestern Montana. That’s the downstream picture of the Grasshopper creek. Upstream along Grasshopper creek the waterway narrows and runs faster. Lately there’s been some talk of decent strikes being found up there. The furthest reaches of the creek haven’t been searched thoroughly for gold but a few hardy souls have brought out some decent color.

The locals still walk over to the creek from Main street and pan for wages just steps from the hustle and bustle of the town. Yet there are always some that dream the big dream and want those nuggets the size of hen’s eggs. The fellow above is one and has his two mules, Nugget and Goldie, loaded for an extended stay some where up the creek. Maybe he’ll be back a rich man, maybe not. He’s guessing on being rich.

Before The Mist Clears

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Sometimes people will ask “Where’d all the color come from in that picture, then?” Or they’ll say “I was there. I never saw anything like that.” This is usually accompanied by a suspicious glare. Other times they’ll simply say “No way, dude, That is a load of condensed owl manure.” What they don’t know is they are not looking in the right places for these images, or at the right time.”

These images exist in nature by the quintillious millions. You are literally walking through them every time you are someplace like the Firehole river here in Yellowstone. The deal is, it takes some practice to see them in their full glorious color like this. For instance this particular image was lurking within the mist just waiting for someone to stop and photograph it. Think of it like this. You know how a movie is made with 30, 60, 120 frames per second and when it is played back the rapid display of the individual images or frames merge into a flow that shows the movement and creates the scene or movie.

Well that’s exactly what nature does. These images are lined up one behind the other into infinity and as you look at the scene they are speeding by you so quickly that you don’t see each individual frame. An individual image like this is often missed. It had already gone by so fast you didn’t have a chance to get your camera up to your eye let alone take a picture.

The secret to taking a picture like this, aside from a rapid dunking in Photoshop, is to kind of check out where the next image might appear, then slowly walk by the place being very careful not to glance at it directly. If you do look it tips the projector guy off that you have seen what’s coming, and he’ll speed the film up, so to speak, making it that much more difficult to take the shot.

While you’re fiddling around pretending you don’t see the picture coming up, surreptitiously set your camera to all the proper settings, then whirl around and snap the photo. That’s all there is to it. The settings for this shot were 1/800,000 of a second at f 2100. Make certain you have set the HISS (Hidden Imaginary Scene Selector) switch located on the lower left side of the lens housing on most professional cameras, to Automatic. If you don’t have this switch on your camera then it is time to upgrade as it is nearly impossible to catch an image like this without one.  Check with your local camera dealer for the most up to date information So there you have it. Photography made easy. You’re welcome.

Vermillion Cliffs Another Color Lesson

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We talked about how color out here in the west works in the past, but  in reviewing this image of the Vermillion cliffs I noticed something new. If you look closely you will notice that there is just about every color available in the southwest in this shot. Click on it, the picture I mean, and look at all the different shades. I don’t even think there are names for some of these colors. The only other place I’ve seen that comes close to displaying these many shades is the Grand Canyon, but the canyon spreads its color over such a wide, deep space it is difficult to find a photographic area that you can shoot to include all these colors in one shot. Even wide-angle lens in the canyon don’t give you these effects.

We’re probably looking at several miles of cliff face from a distance of several more miles away and it was photographed as a panorama of 19 different images using a telephoto lens, then stitched together into one large image. That was done to bring the cliffs in closer in the image, as using a wide angle lens would have resulted in a tiny squinty little line of purple cliffs across the image that would have had you saying “What the hell, can’t that guy even take a picture?” and I don’t like it when people say that.

The rosy-purple of the cliffs in the center of the shot is produced by the shadows of the incoming storm clouds. Right before the clouds moved in that purple-ish series of cliffs was the same color as the taller line of cliffs behind it. The darker cliffs are some distance in front of the taller ones so the break in the clouds let light in on the back row, but out in the front row the denseness of the clouds put the cliffs in shadow which brought out the deep rich color you see.

None of this would be as noticeable if you were closer. It takes the distance in this case to bring out all the color available and to show the harmonious interplay between them. The lesson being that sometimes you have to step way back to see the overall effect in play. Like a couple of miles. Now I didn’t say this was going to be a great big Ansel Adams type of lesson. It’s just a tiny little lesson, one that doesn’t require a lot of brain power by either of us but sometimes that’s ok. And if all this is turning Greek to you just look at the picture instead of trying to figure it out. That’s what I do.

How To Find Color

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Lots of people come up to me and say “Hey! Mr. Photographer, how do I find color?” Well that’s an easy question to answer when you are a trained, professional, color-finding photographer such as I am. But of course there are tricks, just like in any profession demanding skill, intelligence and extraordinary luck, there are things that make Finding Color easier.

First clean your glasses if you wear any, if you don’t, then blink. This prepares your eyes for the act of seeing color. Next and this is important, come to America. That’s right. Many people think you have to go on cruises, or fly to exotic places in a plane, or even sneak over borders on foot with all your worldly possessions on your back, but you don’t have to take those extreme steps to find color. Simply come to America. If, by some incredible stroke of luck, you are already here, stay here. You’re where you need to be.

Many people are under the mistaken belief that color exists everywhere. Don’t you believe it. There are huge parts of the world where there is simply no color whatsoever. Czechoslovakia for instance, the Balkans, Russia, everywhere in Russia except for a small area around St. Petersburg, I know this to be absolutely true because every movie I have ever seen about those places had no color in them, none, the people were grey, there is just no color there. All of South America unless you like green, Antarctica unless you like white, The middle east unless you like tan, the jails in Tijuana unless you like drunk-tank pink, I could go on and on but I think you get the picture.

The next step is a little trickier. Come to the Southwest. The Southwest is a huge area that is sort of down in the bottom left corner of America, you can tell when you’re in the Southwest because when you look around you’ll see – Color, huge amounts of it. It completely covers all of the scenery available. In fact there is not one place in the entire Southwest that is not stuffed to the gills with color. If you’re color-phobic, and I don’t even know how that is possible, then you need to go back to Czechoslovakia. I’m sorry but that’s how it is.

To see the very maximum of color that your brain will let you process in one sitting you have to go to places like the photo above. It’s simple to get to, just drive up Moki-Dugway, turn left a little, go around those big rocks and you’re there. Muley Point. Simple. Walk over to the edge and look, color, every single one, as far as the eye can see. [Warning: Beginners, and those who have kept their eyes closed for long periods of time, people from any of the places mentioned above where there is no color should approach Muley point with caution. A companion that has seen color before should accompany them in case they become so overwhelmed that they fall and need to be lightly restrained. You may wish to practice a little before attempting to view Muley Point in person so find a photograph of a colorful spot, the one above is a good example and look at it for a few minutes each day until you no longer black out. Also see the free Forest Service handout for “Foreign Visitors Seeing Color For the First Time!” with the directions for, Stick your wallet in their mouth so they don’t bite their tongue off, p.2 at the bottom.]

Now I have shared every bit of wisdom I have in the art of finding color the rest is up to you. Come to America and look. I’ll be the one with the cool sunglasses and the big camera.

Cloudscapes

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Huge, billowing clouds moving slowly across the sky have always been an arresting sight for me. Memories of childhood float up from the depths and soon you are seeing sailing ships and improbable animals and one that might even look like your loopy uncle Skid, although I guess its possible you didn’t have a loopy uncle Skid. We did and he was great. People travel great distances to see the light and sky of other places but we  have that magic right here in our back yard in Colorado. The images that follow were taken from our deck looking west towards Rocky Mountain National Park as we gently eased into sunset.

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As the sun moved further towards the west the light began to take on a reddish hue

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Soon the blue and white was being replaced by reds and yellows and pinks

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and some of the thunderheads were taking on a pronounced bluish-black underside.

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When the sun goes behind the hilltops and ridges the lower parts of the clouds go dark while the upper parts can be brilliantly highlighted.

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Then as full darkness approaches the gold comes out. There is still some blue in the background because the mountains are lower over there and let the last of the sunlight through.

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An explosion of gold and orange and yellows is brought into even greater contrast by the black undersides of this mammoth cloud. That’s the last hurrah, like that incredible finale at a fireworks exhibition. The only thing missing is the William Tell overture playing in the background.

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The sun is completely set and this last look is tinged in blues and purples with rose highlights, the evenings swansong.